Calista Sandalwood

Writer: Rose Melinda Bayn / November 2024

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As a Second Life resident and live music host/manager, how do you describe yourself, and where does your interest in music come from?

Music has been a central part of my life since childhood. Initially introduced to piano, I later found my passion in flute and piccolo through marching band. My love for music grew as I worked at a local radio station, discovering radio production and the art of creating commercials. In Second Life, I combine my musical background with event planning as a live singer manager, supporting talented performers and helping create immersive experiences for a community that celebrates music.

How long have you been a host/manager in Second Life? What drew you to this project?

Though I've been part of the live music scene in Second Life for a short time, it feels like a longer journey. After returning to SL, I heard Jo Big perform at an open mic in February, which changed my direction. We talked for hours, and I ended up becoming his manager. His kindness, humility, and unique voice inspired me to help promote him. Managing Jo combined my love for music, organizational skills, and desire to support artists.

What do you do in real life, and how do you relate to music outside of Second Life?

I work as a Health Information Technologist for the Veteran’s Health Administration, but music is a constant part of my day. It helps me stay focused and fuels my creativity, whether brainstorming ideas for Jo or reflecting on his performances. In addition to managing Jo, I’ve also started DJing in Second Life, creating sets for friends. Music keeps me balanced, whether I’m working, managing an artist, or simply connecting with the community and having fun.

How do you usually spend your time as a Second Life resident? Any projects?

Managing Jo’s music career in Second Life keeps me busy, handling everything from performance schedules to social media and scouting venues. Jo’s multilingual abilities bring unique challenges, including translating between languages for venues and communication. Outside of work, life is exciting—Jo and I married in August and are parents to twins. I also express my creativity through photography, officiate weddings at BlueMoon, breed KittyCats and ABC Horses, and enjoy landscaping. Second Life offers endless opportunities to balance work and personal passions.

What are the positives and negatives of hosting live music events?

The best part of managing live music in Second Life is connecting with the community and watching Jo’s performances excite new audiences. The first time someone hears him, you can feel the excitement in the air—it's incredibly rewarding. However, challenges include the steep learning curve for newcomers and seeing artists mistreated by unscrupulous managers. Another frustration is venues paying for “live” performances that are pre-recorded. My advice: venues, ask for live song auditions; and artists, keep delivering authentic performances—your work will be appreciated.

Anything you would like to add?

Thank you for the opportunity to share a bit about my work in Second Life. It's a joy to be part of the live music community and help share the gift of performance. As Jo’s manager, much of my work happens behind the scenes, ensuring smooth shows. It’s an honor to help artists like Jo connect with their audiences, and I’m grateful to contribute to this vibrant community. Thank you for allowing me to share my passion for live music management.

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